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DTSTART;TZID=America/Los_Angeles:20220920T200000
DTEND;TZID=America/Los_Angeles:20220920T220000
DTSTAMP:20260414T051950
CREATED:20220814T055354Z
LAST-MODIFIED:20250223T173154Z
UID:1632-1663704000-1663711200@pianospheres.org
SUMMARY:VIC RAY: ELECTRIC
DESCRIPTION:Pianist Vicki Ray goes ELECTRIC\, with special guest Piano Spheres artist Aron Kallay. The program includes works by João Pedro Oliveira\, Josh Biggs\, Ben Phelps\, and a tribute to the late composer William Kraft. \nJoão Pedro Oliveira: Titanium\nWilliam Kraft: Requiescat\nJosh Biggs: Sound Ribbons for Vicki Ray\nBen Phelps: Sometimes I Feel Like My Time Ain’t Long \nSEASON SUBSCRIPTION: HERE
URL:https://pianospheres.org/event/vic-ray-electric/
LOCATION:Zipper Concert Hall\, 200 S Grand Ave.\, Los Angeles\, CA\, CA\, 90012\, United States
ATTACH;FMTTYPE=image/jpeg:https://pianospheres.org/wp-content/uploads/2022/08/VICKI_RAY_4-credit-Mark-Holley.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220906T200000
DTEND;TZID=America/Los_Angeles:20220906T220000
DTSTAMP:20260414T051950
CREATED:20220419T201744Z
LAST-MODIFIED:20250223T173154Z
UID:1468-1662494400-1662501600@pianospheres.org
SUMMARY:2022 Summer Jazz Series
DESCRIPTION:Piano Spheres announces our 2022 Summer Jazz Series featuring Jamael Dean solo piano/keyboards on July 23rd\, Cathlene Pineda Quartet on July 30th\, and the Paul Cornish Quartet TBD at Thayer Hall at the Colburn School.  Stay tuned for tickets and more details!
URL:https://pianospheres.org/event/summer-jazz-series/
LOCATION:Thayer Hall at the Colburn School\, 200 S Grand Ave.\, Los Angeles\, CA\, 90012
ATTACH;FMTTYPE=image/png:https://pianospheres.org/wp-content/uploads/2022/04/2022_Jazz_Layers2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220730T200000
DTEND;TZID=America/Los_Angeles:20220730T220000
DTSTAMP:20260414T051950
CREATED:20220608T011745Z
LAST-MODIFIED:20250223T173154Z
UID:1550-1659211200-1659218400@pianospheres.org
SUMMARY:Paul Cornish Trio
DESCRIPTION:Piano Spheres Summer Jazz Series presents pianist Paul Cornish and his trio on July 30\, 8PM at Thayer Hall.  Paul will be joined by Max Gerl on bass\, and Malachi Whitson on drums. \nLos Angeles based pianist Paul Cornish strives to inspire freedom and collaboration in his music and community. Currently the pianist for the Herbie Hancock Institute of Jazz Performance\, he regularly performs at premier venues around Los Angeles and has been heard on stages around the world from Europe\, Australia\, and South America to Carnegie Hall. He is the winner of the 2018 American Jazz Piano Competition. Also an accomplished composer and educator. He was a finalist in the ASCAP Young Jazz Composers Competition and is on faculty at the Stanford Jazz Workshop. Growing up in Houston\, Texas and attending the world-renowned High School for the Performing and Visual Arts\, Paul follows a lineage of top pianists from Houston such as Jason Moran\, Robert Glasper\, Helen Sung\, and James Francies. \nHe has performed and worked with artists Herbie Hancock\, Gary Bartz\, Dee Dee Bridgewater\, Steve Lehman\, Kanye West\, Terrace Martin\, Mary Stallings\, Thumpasaurus\, Louis Cole\, John Legend\,Theo Croker\, Sara Gazarek\, David Binney\, and many more.
URL:https://pianospheres.org/event/paul-cornish-trio/
LOCATION:Thayer Hall at the Colburn School\, 200 S Grand Ave.\, Los Angeles\, CA\, 90012
ATTACH;FMTTYPE=image/jpeg:https://pianospheres.org/wp-content/uploads/2022/06/Paul-Cornish2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220621T170000
DTEND;TZID=America/Los_Angeles:20220621T190000
DTSTAMP:20260414T051950
CREATED:20210620T212449Z
LAST-MODIFIED:20250223T173154Z
UID:825-1655830800-1655838000@pianospheres.org
SUMMARY:Takashi Harada - Ondes Martenot: Waveforms - 6/21 & 6/25
DESCRIPTION:Due to travel restrictions\, Waveforms is now a special free video event to be aired at 8PM on June 21st. and again on Saturday June 25th at 8PM. Please click on this link to watch the video.  If you’ve purchased tickets for the live event\, we will be in touch with you. \nTakashi Harada\, Ondes Martenot\nMark Robson\, piano\nKojiro Umezaki\, shakuhachi\, \nMr. Harada is the best known Ondist in Japan\, and one of the few masters of this unique instrument in the world. Mark Robson and Harada are longtime friends\, having met as students at the Conservatoire National Supérieur de Musique in Paris. Mr. Umezaki has long been a proponent of Japanese traditional and contemporary music for the shakuhachi\, and is well known as a founding member of The Silk Road Ensemble. Please watch this wonderful Piano Spheres production of a unique collaboration between these three artists featuring the music of Olivier Messiaen\, Shin’ichiro Ikebe\, Mark Robson\, Takashi Harada\, and contemporaneous improvisations by these three artists from different locations (Tokyo and UC Irvine).   Special thanks to the Japan Foundation for their generous Support.  
URL:https://pianospheres.org/event/takashi-harada-the-ondes-martenot/
LOCATION:Click the Link Below
ATTACH;FMTTYPE=image/jpeg:https://pianospheres.org/wp-content/uploads/2021/06/Takeishi_Cropped4.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220524T170000
DTEND;TZID=America/Los_Angeles:20220524T170000
DTSTAMP:20260414T051950
CREATED:20210621T010456Z
LAST-MODIFIED:20250223T173154Z
UID:843-1653411600-1653411600@pianospheres.org
SUMMARY:David Kaplan - Ph(f)antasy(ies)
DESCRIPTION:Musical exchange and fantasy form are the inspirations for a program of preludes\, fantasies\, and other short works by nine composers spanning half a millennium. Two new commissions by Anthony Cheung and Christopher Cerrone fantasize on one another’s musical ideas\, and Schumann is the inspiration for Augusta Read Thomas’ Morse Code Fantasy\, introduced by an “unmeasured” prelude by Louis Couperin and a miniature by Gyorgy Ligeti.  \n\nLigeti – Musica Ricercata no. 1\nChristopher Cerrone – Passagework (West Coast Premiere)\n****\nL. Couperin – Unmeasured Prelude in F\nAnthony Cheung – Holding Patterns (World Premiere)\n****\nAugusta Read Thomas – Morse Code Fantasy/Schumann Davidsbündlertänze\, Op. 6\, iii.\nTimo Andres – How Can I Live in Your World of Ideas?  \nIntermission \nKaija Saariaho – Ballade (2006)\nSchumann – Fantasiestücke\, Op. 12 Warum?\nBeethoven – Sonata Op. 27 no. 1 in E flat major ‘Quasi una Fantasia’\n \nSupported by the Department of Cultural Affairs\, City of Los Angeles; the Los Angeles County Board of Supervisors through the Department of Arts and Culture.
URL:https://pianospheres.org/event/david-kaplan-phfantasyies/
LOCATION:Zipper Concert Hall\, 200 S Grand Ave.\, Los Angeles\, CA\, CA\, 90012\, United States
ATTACH;FMTTYPE=image/jpeg:https://pianospheres.org/wp-content/uploads/2021/06/KAPLAN-ACOSTA_Ratio.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220510T170000
DTEND;TZID=America/Los_Angeles:20220510T190000
DTSTAMP:20260414T051950
CREATED:20210702T202150Z
LAST-MODIFIED:20250223T173154Z
UID:1047-1652202000-1652209200@pianospheres.org
SUMMARY:Jan 24th - HOCKET: Exploded Pianos
DESCRIPTION:HOCKET explores the virtuosity of two prepared pianos with a wide variety of materials including coins\, screws\, nuts & bolts\, and more in John Cage’s seminal work\, Three Dances for two prepared pianos. Alongside this groundbreaking work\, HOCKET will be premiering companion pieces by Sarah Gibson for the same instrumentation\, Thomas Kotcheff for two prepared pianos and percussion performed with the guest ensemble icarus Duo\, and Peter S. Shin for two prepared pianos and electronics. \nProgram: John Cage – Three Dances for two prepared pianos\nSarah Gibson – New Work (world premiere)\nThomas Kotcheff – New Work (world premiere)\nPeter S. Shin – New work \nQuote: “With just one musician\, you can really do an unlimited number of things on the inside of the piano if you have at your disposal an exploded keyboard.” – John Cage \nSupported by the Department of Cultural Affairs\, City of Los Angeles; the Los Angeles County Board of Supervisors through the Department of Arts and Culture.
URL:https://pianospheres.org/event/hocket-exploded-keyboards/
LOCATION:Zipper Concert Hall\, 200 S Grand Ave.\, Los Angeles\, CA\, CA\, 90012\, United States
ATTACH;FMTTYPE=image/jpeg:https://pianospheres.org/wp-content/uploads/2021/07/Hocket.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220416T130000
DTEND;TZID=America/Los_Angeles:20220416T190000
DTSTAMP:20260414T051950
CREATED:20210615T002446Z
LAST-MODIFIED:20250223T173205Z
UID:648-1650114000-1650135600@pianospheres.org
SUMMARY:Frederic Rzewski: An Appreciation
DESCRIPTION:PROGRAM NOTES \nThe iconic composer-pianist Frederic Rzewski was to have given a Piano Spheres recital this coming February in a rare US appearance. Now rescheduled to Saturday April 16th\, pianists Ursula Oppens and Lisa Moore join Piano Spheres core artists\, Emerging Artists\, and Guest Artists from the last 20 years in a celebration of Rzewski’s music. An open air\, four-hour concert/celebration of his life and legacy on the Colburn Plaza starting at 4:00\, includes many of his works for piano. \nTo RSVP for the 4pm marathon concert ONLY\, click here. \nThe following concert at Zipper Hall at 8:00 includes the world premiere of “Suite\,” commissioned by Piano Spheres\, the west coast premiere of “Amoramaro\,” the two-piano version of “Winnsboro Cottonmill Blues” performed by HOCKET\, and other works to be announced. \nTo purchase a ticket for the 8pm concert (which includes the option to RSVP for the 4pm marathon concert)\, click on the “Buy Tickets” button above. \n\nPROGRAM:\n4:00pm MARATHON PROGRAM\nThe Colburn School Plaza \n1971 Falling Music – Jack Dettling\n1974 Jefferson – Stephanie Aston (soprano) and Todd Moellenberg\n1977 Piano Piece #2 (from 4 Piano Pieces) – Antoinette Perry\n1978 Squares – Mark Robson\nIV. Sideshow\n1978-9 North American Ballads – Nic Gerpe\n1. Dreadful Memories\n2. Which side are you on?\n3. Down by the riverside\n1988 To His Coy Mistress – Genevieve Feiwen Lee\n1989 Fantasia – Genevieve Feiwen Lee\n1992 A Life – Jack Dettling\n1995-03 The Road – Brendan White\nPart 1: Turns (Miles 1-8)\nFrom Part 8: The Big Day Arrives (Miles 57 – 64)\, Mile 61\, Stop the War!\n2008 Rubenstein in Berlin – Daniel Newman-Lessler\n2009 Flowers 1 – Richard An\n2014 From “Winter Nights” – Andrew Anderson\nNight 1 and Night 2\n2016 Songs of Insurrection No. 3 – Thomas Kotcheff\n“Ain’t gonna let nobody turn me around”\n2017 8th Nocturne (From 8 Nocturnes) – Andreas Foivos Apostolou \n  \n8:00 EVENING CONCERT\nZipper Concert Hall \n2021 Suite – Piano Spheres Core Artists\nPrélude à L’imitation de M. Couperin\nTanz\nSkip\nLa New Yorkaise\n2020 Amoramaro – Lisa Moore\n1977 Piece No. 4 (from 4 Piano Pieces) – Lisa Moore\n2020 Friendship – Ursula Oppens\n2019 Rondo – Ursula Oppens\n1979 Winnsboro Cotton Mill Blues – HOCKET\narr. for two pianos \n\n 
URL:https://pianospheres.org/event/frederic-rzewski-in-los-angeles-apr-16-2022/
LOCATION:Zipper Concert Hall and the Colburn Plaza\, 200 S Grand Ave.\, Los Angeles\, 90012
ATTACH;FMTTYPE=image/jpeg:https://pianospheres.org/wp-content/uploads/2021/06/Rzewski_02_0-1-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220301T170000
DTEND;TZID=America/Los_Angeles:20220301T190000
DTSTAMP:20260414T051950
CREATED:20210620T211954Z
LAST-MODIFIED:20250223T173205Z
UID:823-1646154000-1646161200@pianospheres.org
SUMMARY:Vicki Ray - Frozen Improvisations
DESCRIPTION:This recital explores Stravinsky’s famous quotation “All composition is frozen\nimprovisation.” Three of the works – Schnittke\, Poulenc and Bartok are called\n“improvisations” but are completely notated. So if those pieces are totally frozen\nwhat about pieces that are only partly so? Graphic works – (Smith) and pieces\nindicated by a set of verbal directions (Budd) are partly frozen in that some\naspects are determined and some not. And if one plays a transcription of an\nimprovised solo (Taylor) is that a composition or an improvisation? Then there\nare other classical titles for works that are essentially written out improvisations:\nFantasias (Deyoe) Impromptus (Kagel) and Capriccios (Ligeti) Finally the concert\nalso includes a real-time improvisation/conversation between the pianist and a\ncomputer program in which the players sightreading accuracy gives birth to how\nthe piece composes itself: Blue Sky Catastrophe: \nBlue Sky Catastrophe for piano\, live computer processing\, and spatial sound\, is\nbased on performer-driven generative musical processes. Musical phrases are\nalgorithmically generated live by the computer and the performer is asked to\nsight read them. The computer then assesses the performance and generates\nthe next phrase of music for the pianist – either more or less difficult based on\nthe pianist’s performance. The pianist is asked to read the music accurately while\nalso being given latitude to influence the computer’s musical decisions and pace.\nTherefore\, the score of the work is entirely performer-driven\, different in every performance. \nThe computer is set up to react not only to accuracy but also to\naspects of the playing that will control live generated electronics such as\nharmonic attractors and spatialization. The performer and computer are engaged\nin a feedback loop that explores degrees of stability\, periodicity\, non-periodicity\,\nmirco-tuning\, and quirky\, chaotic potential. \nPROGRAM\nAlfred Schnittke – Improvisation und Fuge (1965)\nWadada Leo Smith – Majestic (1995)\nFrancis Poulenc – Improvisations op. 15 (1932-59)\nHarold Budd – Piano Piece/Memories Returning (1967)\nMartin Herman/Seth Shafer – Blue Sky Catastrophe (2020)* \nINTERMISSION \nNicholas Deyoe – Fantasia (2005)\nMauricio Kagel – Impromptu (À deux mains) (1995)\nGyorgy Ligeti – Capriccio #2 (1947)\nCecil Taylor (trans. Kaja Draksler) – Life as….(1999)\nBéla Bartók – Improvisations op. 20 (1920) \n*denotes World Premiere \nSupported by the Department of Cultural Affairs\, City of Los Angeles; the Los Angeles County Board of Supervisors through the Department of Arts and Culture.
URL:https://pianospheres.org/event/vicki-ray-frozen-improvisations/
LOCATION:Zipper Concert Hall\, 200 S Grand Ave.\, Los Angeles\, CA\, CA\, 90012\, United States
ATTACH;FMTTYPE=image/jpeg:https://pianospheres.org/wp-content/uploads/2021/05/vicki_IMGL1439.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211019T170000
DTEND;TZID=America/Los_Angeles:20211019T190000
DTSTAMP:20260414T051950
CREATED:20210817T203434Z
LAST-MODIFIED:20250223T173205Z
UID:1225-1634662800-1634670000@pianospheres.org
SUMMARY:Andreas Foivos Apostolou - Emerging Artist
DESCRIPTION:Greek pianist-composer Andreas Foivos Apostolou will be performing works by Leo Ornstein\, Carl Vine\, Hiromi Uehara\, Tigran Hamasyan\, and his own original works. The program will showcase world premières of a short unfinished Sonatine by Leo Ornstein and a commissioned work by LA-based composer George N. Gianopoulos. Apostolou aims to present contemporary works that highlight elements of post-tonal\, jazz and experimental music\, exposing the full range of the modern grand piano and utilizing unconventional techniques. \nColburn students get in for free! \nAndreas and Gloria Cheng will be holding a free public workshop called “The Consonance of Dissonance” on October 10th at 2PM at the Pasadena Conservatory of Music as part of the Prima Voce series. For more information and to reserve a place please click on this link: Free Workshop \nAndreas has been mentored by Piano Spheres’ Core Artist Gloria Cheng as part of our Emerging Artist program supported in part by a grant from the National Endowment for the Arts.
URL:https://pianospheres.org/event/andreas-foivos-apostolou-emerging-artist/
LOCATION:Thayer Hall at the Colburn School\, 200 S Grand Ave.\, Los Angeles\, CA\, 90012
ATTACH;FMTTYPE=image/jpeg:https://pianospheres.org/wp-content/uploads/2021/08/Andreas-Foivos-300x257_Cropped3.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211005T170000
DTEND;TZID=America/Los_Angeles:20211005T190000
DTSTAMP:20260414T051950
CREATED:20210817T202545Z
LAST-MODIFIED:20250223T173205Z
UID:1215-1633453200-1633460400@pianospheres.org
SUMMARY:Paul Cornish - Emerging Artist
DESCRIPTION:Los Angeles based pianist Paul Cornish strives to inspire freedom and collaboration in his music and community.  Currently the pianist for the Herbie Hancock Institute of Jazz Performance\, he regularly performs at premier venues around Los Angeles and has been heard on stages around the world from Europe\, Australia\, and South America to Carnegie Hall.  He is the winner of the 2018 American Jazz Piano Competition. Also an accomplished composer and educator. He was a finalist in the ASCAP Young Jazz Composers Competition and is on faculty at the Stanford Jazz Workshop. He has performed and worked with artists Herbie Hancock\, Gary Bartz\, Dee Dee Bridgewater\, Steve Lehman\, Kanye West\, Terrace Martin\, Mary Stallings\, Thumpasaurus\, Louis Cole\, John Legend\,Theo Croker\, Sara Gazarek\, David Binney\, and many more. \n\n\nPaul Cornish and Thomas Kotcheff will be holding a free public workshop called “The Genius of Women Composers” on October 3rd at 2PM at the Pasadena Conservatory of Music as part of the Prima Voce  series. For more information and to reserve a place please click on this link: Free Workshop\n\nPaul has been mentored by Piano Spheres’ Core Artists HOCKET as part of our Emerging Artist program supported in part by a grant from the National Endowment for the Arts.
URL:https://pianospheres.org/event/paul-cornish-emerging-artist/
LOCATION:Thayer Hall at the Colburn School\, 200 S Grand Ave.\, Los Angeles\, CA\, 90012
ATTACH;FMTTYPE=image/jpeg:https://pianospheres.org/wp-content/uploads/2021/08/Paul-Cornish-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210814T140000
DTEND;TZID=America/Los_Angeles:20210814T150000
DTSTAMP:20260414T051950
CREATED:20210608T044933Z
LAST-MODIFIED:20250223T173205Z
UID:478-1628949600-1628953200@pianospheres.org
SUMMARY:Roger Kellaway with special guests...
DESCRIPTION:This is a free\, online concert. Head over to Watch and Listen on August 14th at 5PM to stream this event. \nRoger Kellaway is perhaps best-known for the closing theme “Remembering You”\, which he wrote and recorded for the iconic TV sitcom All in the Family (1971–1979); and for his opening/closing theme for the spinoff Archie Bunker’s Place (1979-1983). \nIn 1970\, Kellaway formed the Roger Kellaway Cello Quartet with cellist Edgar Lustgarden. Their piece “Come to the Meadow” was used as the theme for the NPR program Selected Shorts. For a 1978 album\, Nostalgia Suite\, the group became a quintet with drummer Joe Porcaro. \nOn November 7 and 8\, 2008\, Kellaway was bandleader and pianist for the Astral Weeks Live at the Hollywood Bowl concerts by Van Morrison\, celebrating the 40th anniversary of Morrison’s acclaimed 1968 album. \nKellaway was nominated for an Oscar for Best Adaptation Score for A Star Is Born (1976)\, and a Grammy Award for Best Instrumental Arrangement for the Eddie Daniels album Memos from Paradise (1988). Guitarist Robben Ford credits Kellaway and Tom Scott\, whom he met while playing for Joni Mitchell\, as major influences on his music. Kellaway was featured on Ilya Serov’s original rendition of Django Reinhardt’s song “Swing 42” in 2017.
URL:https://pianospheres.org/event/roger-kellaway/
ATTACH;FMTTYPE=image/jpeg:https://pianospheres.org/wp-content/uploads/2021/06/Roger_Red2.jpg
ORGANIZER;CN="pianospheres":MAILTO:pianospheres@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210731T140000
DTEND;TZID=America/Los_Angeles:20210731T150000
DTSTAMP:20260414T051950
CREATED:20210608T044107Z
LAST-MODIFIED:20250223T173205Z
UID:473-1627740000-1627743600@pianospheres.org
SUMMARY:Gerald Clayton - solo piano
DESCRIPTION:This is a free\, online concert. Head over to Watch and Listen on July 31st at 5PM to stream this event. \n“Gerald Clayton is one of the most accomplished\, distinctive and innovative pianists performing today” – Don Was \n\n\n“A remarkable player\, he seems to understand what our ear wants — blooming harmony\, melodic improvisations\, firm landings — and how to deliver it.” – The New York Times \n\nGerald Clayton searches for honest expression in every note he plays. With harmonic curiosity and critical awareness\, he develops musical narratives that unfold as a result of both deliberate searching and chance uncovering.  Join us for an inspiring solo piano performance online.  Watch this space for more info…
URL:https://pianospheres.org/event/gerald-clayton/
LOCATION:Click the Link Below
ATTACH;FMTTYPE=image/jpeg:https://pianospheres.org/wp-content/uploads/2021/06/Gerald-Clayton-PRESS-16.9-1-scaled.jpeg
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